Mixer Yamaha EMX5016CF

Outstanding live sound power with innovative digital features.

Live audio accessories can be overwhelming, but Yamaha's new EMX5016CF Powered Mixer creates confusion when it comes to setting up a professional-live music experience. This 16-channel stereo mixer includes a 500-watt amp, making it ideal for bands, churches and small rentals. The EMX5016CF offers the advantage of an integrated mixer with its input power, dynamic characteristics, and solid sound that responds well to the needs of audio applications. It is very compact, portable for a live sound system with considerable power, yet offers performance and reliability that will satisfy professional users on the go or in an installed application. put. And thanks to industry-leading Yamaha digital technology, the EMX5016CF also includes a number of enhancements that make it easier than ever to achieve premium sound anywhere. An impressive 500 watts per channel power output means it can handle a sizable amount of indoor and outdoor audiences. The EMX5016CF goes beyond the standard definition of a "mixer," entering areas where substantial sound reinforcement is required.

Flexible 16-input configuration compatible with different power requirements

The EMX5016CF has a total of 16 input channels - eight for microphone or monoline inputs plus four stereo pairs. Stereo channel pairs function as monophonic microphone inputs or stereo line inputs. This system gives you additional microphone inputs if your sources are mostly microphones or if you need to deal with more stereo sources, the EMX5016CF handles four pairs along with eight mono or line-in microphones. . Switchable phantom power is provided for all microphone inputs.

High level channel EQ

3-band EQ is available on all input channels, but an extra level of flexibility is added on eight single channels with mid-sweep controls. The mid-EQ midrange can be continuously swept from 250 Hz to 5kHz so you can pinpoint frequencies in the mid-range that require compensation, greatly enhancing equalization.

Diverse I/O for expansion and integration

All you need to create a powerful, high-performance live sound system is the EMX5016CF, a pair of speakers or two, and your sources. There are also inputs and outputs that allow you to expand with external equipment or integrate into a larger system. For example, nesting points on single input channels allow you to add external signal processing to each input channel. And while you have all the monitoring and effects you definitely need built-in, external EFFECTS and Auxiliary transmitters allow you to route the mixer's signals towards signal processing systems. out and/or track as required. There are also stereo out, stereo sub out and record outputs.

Single-knob compression on single channels

The EMX5016CF features compressors on all mono channels/microphones that help you create a better mix, giving you smooth compressed guitar sound, powerful bass, and filtering your mixes in many ways. These one-knob compressors are simple to use. No more gain, threshold, offset and other controls - just set the COMP control to the compression level you need.

9 band digital graphic EQ with presets & memory

A high-end digital 9-band stereo graphic equalizer that goes beyond conventional analogs with a refined control interface, instantly call-out presets, and user memory locations. The unit is also compatible with the console's new frequency response tuning system (see below) for unprecedented response format control. You can of course adjust each band as required right from the start, but you can also use one of the presets - VOCAL, DANCE or SPEECH - as a starting point and calibrate from there. You also get three user memories so you can store your EQ curves for instant access whenever needed.

FRC (Frequency Response Adjustment) system

Setting up a live sound system output equalizer for optimum compatibility with the chamber response is often a complex process that requires the use of noise generators, calibrated microphones, timing analyzers, and more. real time and lots of time and experience. The EMX5016CF handles the entire process automatically using pink noise or a recorded music source that you provide. To match the response of the system to the chamber you are in, you need to install a microphone in the appropriate location, connect it to channel 1, press MEASURE/CORRECT once to measure and then press again to automatically dynamically set the graphic equalizer for optimal response. The EQ settings can then be saved to one of the user's memories for later access if needed.

Automatic feedback cancellation

Although a graphic equalizer can be used for feedback control, the EMX5016CF provides a feedback suppression system specifically for this. Feedback suppressors work by detecting feedback frequencies on the stereo bus and using precision notching filters to suppress feedback. The feedback suppressor has an AUTO mode that monitors and reduces the feedback frequencies for you, and a manual mode that helps you identify and attenuate each feedback point.

Multi-band "optimizer"

""Maximizer"" EMX5016CF is a 3-band processor that can be applied to the stereo bus for more powerful ""realistic"" sound. Simply push the MAXIMIZE switch to enhance mixing and impact without sacrificing musical flair.

Dual Yamaha SPX Effects Processors

The EMX5016CF has a total of 16 input channels - eight for microphone or monoline inputs plus four stereo pairs. Stereo channel pairs function as monophonic microphone inputs or stereo line inputs. This system gives you additional microphone inputs if your sources are mostly microphones or if you need to deal with more stereo sources, the EMX5016CF handles four pairs along with eight mono or line-in microphones. . Switchable phantom power is provided for all microphone inputs.

Dual AUX Transmitters

The AUX 1 and AUX 2 play controls with pre/rear volume control switch function to adjust the level of channel signals sent to the auxiliary buses for monitoring or playing external effects. The availability of two AUX transmitters offers considerable flexibility for effects routing and monitoring. For example, you can use the channel EFFECT controls to control the output to the internal SPX effects processor, while also using AUX 2 to feed the external effects kit and AUX 1 to feed the tracking system. floor.

Other premium features

Gain controls and 26-dB switches allow for optimum level compatibility with any source. 80-Hz high-pass filters to eliminate low-frequency noise and unwanted rumble. Channel on switch allows you to turn on each channel to mix or stop mixing. Sweep controls adjust the position of single channel signals in the stereo field, while equalization controls on stereo channels control the balance of stereo images. High-quality linear volume controls adjust the level of each channel. PFL (play ahead of volume) switches allow for individual monitoring of each channel. All input channels have signal and peak indicators for visual signal monitoring. Linear AUX 1, AUX 2, EFF1 RTN and EFF2 RTN volume controls with PFL (play before the fader) track switches on the effect and AFL (play after the fader) feedbacks quantity) on side effects. Stereo master volume control with both PFL and AFL track switches. Yamaha Speaker Processing smooths out lows and highs with Yamaha Club-series speakers. Limiter indicators notify you when the internal limiter circuitry is activated due to power amplifier overload. The power amplifier mode selector allows quick configuration of the two-channel power amplifier to operate Main + Main, Mono + Aux 1 or Aux 1 + Aux 2. The power amplifier output selector allows selection. 500, 200 or 75 watts per channel. The backup switch mutes all single inputs. Precise 12-part stereo level meter. Phone jacks have independent level control. High-quality SPEAKON speaker connectors for fast, reliable connections. The rack can be mounted with the optional RK5014 mounting kit. Panel light connector accepts standard gooseneck 3-pin XLR connector (optional, DC 12 volts, 5 watts max)

Detailed specifications.

Input Characteristics

* 0dBu= 0.775Vrms

Output Characteristics

* 0dBu=0.775Vrms. 0dBV =1.0Vrms

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