There's no denying that Fender founder Leo Fender changed the course of music history with the electric guitar and bass, but his amplifier was equally revolutionary. The first Fender amplifier hit shelves in 1946, and Fender has been at the forefront of amplifier design ever since.

Today, the company offers a wide variety of amplifiers, from classic-sounding all-tube reissues like the '65 Princeton Reverb and '68 Vibro Champ Reverb , to solid-sate amplifiers like the Mustang GTX 100 and Champion 20 . With so many options available, even looking through them can be a bit overwhelming.

That's the reason for this article. We'll help you review the entire Fender guitar amplifier product line and choose the best set for you and your instrument.

If you're looking for that authentic Fender sound, it really depends on the time period you have in mind. Many players love the slightly darker sound of the 50s, but the legendary black amps that took the 60s by storm have their own sound. This was a time when Fender's sound was refined and honed to perfection as louder and more aggressive music required amplification to keep up. The next era of silver amps brought Fender into the modern age with its loudest, cleanest sounds and electronic tweaks that players still love today. Today's Fender amplifiers will include reissue tube amplifiers from each classic era as well as modern tube amplifiers, digital modeling amplifiers, and solid-sate amplifiers. , acoustic amplifier…

Note:

The UK/EUR symbols at the end of the model name indicate which market they are manufactured for. The difference lies in the design of the power plug, because the standards in each region are different.

UK symbols are models designed for the UK market with a 3-pin power plug. EUR symbols are models designed for the European market with a 2-pin power plug. Both versions can be used in Vietnam.

1. Fender's foundation: Tweed-wrapped era amps.

The tweed (tweed-covered) amps were not the first amplifiers that Fender produced, but they were amplifiers that really attracted attention. Known for their durable housing, ease of repair, and simple controls, these amplifiers were made for the stage miles and are still loved by musicians today. Fender has reissued these tweed amplifiers to recreate the old-school overdrive, classic clean and low-volume breakup that defined Fender.

'57 Custom Champ.

The original '57 Fender Champ is one of the most popular amplifiers ever made. Extremely versatile, the original 5-watt Champ was initially marketed to students but quickly came to be regarded as an excellent recording amplifier. The hand-wired '57 Custom Champ reissue includes a Weber Special Design 8" Alnico speaker, a 12AY7 tube preamp, a 6V6 tube power amplifier, a 5Y3GT tube rectifier and design. based on the original 5F1 circuit, produces an amazingly crisp clean & dirty tone that is well suited to blues and rock music. Original tweed Fender Champs were used in Eric Clapton's hit song “Layla” and opening song on Joe Walsh's The Smoker You Drink, The Player You Get album.

The reissue has also recently gained some traction in the jazz world, thanks to jazz guitarist Julian Lage's use of Fender Champ tweed on his 2016 album Arclight. The '57 Champ doesn't offer much in the control department beyond the main Volume knob and On/Off switch, but it makes up for that with plenty of tone and charm.

57 Custom Champ

'57 Custom Deluxe.

Very similar to the '57 Custom Champ in performance, the '57 Custom Deluxe reissue pumps out up to 12 watts with 12" Eminence Special Design alnico speakers. With a design based on the original 5E3 circuit, the Custom reissue This Deluxe features single 12AY7 and 12AX7 preamp tubes, two GT6V6 power amplifier tubes, and a 5Y3 rectifier tube. Also hand-wired is the two-channel '57 Deluxe reissue The clean is deep and the overdrive is strong like the Custom Champ reissue but with a bit more quality.

The tweed Deluxe amplifiers were originally manufactured in the 50s but their tone is often associated with the 70s. For quick reference, Neil Young used an original tweed Deluxe from the late 60s.

57 Custom Deluxe

The Custom Deluxe reissue is great for recording but is also a perfect club-sized performance amplifier. Microphone and instrument channels (identical), as well as master tones for a bit more fine-tuning of the sound compared to the Custom Champ.

'57 Custom Twin.

If you're interested in exploring traditional rock sounds but need more power and clarity, the '57 Custom Twin reissue is a heavy-duty offering that includes twin 12" Eminence Special Design speakers. alnico, a design based on the original 5E8A circuit, two 12AY7 preamps and a whopping 40 watts of power from four 6L5 power tubes that are also slightly expanded with Presence, Bass and Treble, along with separate volume buttons for both Normal and Bright channels.

Hand-wired and responsive, this classic Fender amp will accompany you from gig to gig with a smooth, pleasing sound, especially at high volume.

57 Custom Twin

The original model was Leo Fender's solution for professional players looking to fill large ballrooms and roadside spaces, so the Custom Twin '57 was a notable jump in power compared with Deluxe and Champ '57 reissues.

'59 Bassman.

Completing the classic tweed lineup is the Vintage Reissue '59 Bassman amplifier. Originally released as a bass amplifier to complement the launch of the Precision Bass, the Fender Bassman is now considered the ultimate guitar amplifier. The Fender '59 Bassman is the pro version of the tweed line, focusing on big sound, reliable performance, and streamlined control. Rated at 45 watts, the Bassman includes four 10" Jensen P10R speakers that—simply put—make more noise. This is aided by four 12AX7 preamps and two 12AT7s along with four work tubes. 6L6 capacity. Both the Normal and Clean channels have two inputs but the '59 Bassman also adds a Midlle Control, just like the original version. Great for gigging guitarists, the Fender Bassman works best with all the line up. It was said to be The Beatles' favorite amplifier (as seen during the band's famous rooftop performance), but you could also count Brian Setzer as a close favorite of the Bassman. more as heard on “Rock This Town” by Stray Cats.

59 Bassman

2. The Sound of Classic Rock: The Age of Brown Amps.

Following the tweed amplifiers, Fender quickly moved into a phase characterized by striking brown amps. The addition of two-channel circuitry and front-panel controls came during an era when guitarists moved from sitting behind amplifiers to playing rock music in front of amps. Those increasingly efficient and versatile amplifiers would also begin to incorporate onboard reverb and tremolo effects, making them popular with jazz and country musicians. The '62 Princeton Chris Stapleton amplifier is a testament to this, although it includes a more modern, performance-focused 12" speaker rather than a 10". Historically, many amp manufacturers have used vibrato and tremolo interchangeably. In musical terms, vibrato refers to small changes in pitch and tremolo refers to small changes in volume. Fender's first version of the effect, in 1955, was the Tweed Tremolux, but in 1963, the company changed it to vibrato.

Fender '62 Princeton Chris Stapleton Edition

The results of the testing phase were black amplifiers that were very clear, very loud and very popular. While brown amps may have come a long way, this is where the instantly recognizable “glassy” Fender sound really began to take off. The Clean's warm and raw sound with a slightly bluesy undertone has attracted the likes of Stevie Ray Vaughan and Eric Johnson, among others, over the years. For natural tube clean Fender tones, the reissue line with '65 black amps is your sweet spot.

'64 Custom Princeton Reverb and '65 Princeton Reverb.

If you like the tweed-era Champ or Deluxe but need that sweet tremolo sound, check out the higher-end Custom Princeton Reverb all-tube reissues. The original Fender Princeton Reverb amplifiers have been a favorite of studio musicians for decades, in part because they are the smallest Fender amplifiers available with tremolo and reverb. Like those original amplifiers, the '64 Custom Reverb Princeton reissue contains a 10-inch Jensen P10R speaker but sounds like a 12-inch speaker. The low-power Fender Princeton may not seem powerful enough for a live performance, but many guitarists—including Mike Campbell of Tom Petty & the Heartbreakers—would disagree.

For purists, the Princeton Reverb '64 Custom amplifier features a hand-wired AA764 circuit with tube-controlled reverb and tremolo. It contains a 10" Jensen alnico P10R speaker, three 12AX7 and one 12AT7 preamp tubes, a 5AR4/GZ34 rectifier tube, and a matching pair of 6V6 power tubes.

Fender '64 Custom Princeon Reverb

If you want better, you might consider the Princeton Reverb '65 reissue. This version has a printed circuit board, 10-inch Jensen C10R speakers, reverb and tremolo tube. Both iconic amplifiers deliver clean, clear sound with classic overdrive when pushed.

Fender '65 Princeon Reverb

'64 Custom Deluxe Reverb and '65 Deluxe Reverb.

The black amp era's Fender Deluxe amp kicked things up a notch with the addition of a classic black aesthetic, along with built-in reverb and tremolo effects. The style and tone of those classic amps are captured in the Deluxe Reverb reissues, with 12-inch Jensen speakers delivering sparkling clean sound and cutting in earlier for a little “flavor.” British taste”. Unlike the Custom Deluxe '57 reissue, the '60s Deluxe reissue features Bright and Normal channel options instead of simply two separate but identical channels.

Fender '64 Custom Deluxe Reverb

Like the reissued Princeton black amp, you have the more mainstream '64 and '65 Deluxe options, but the differences don't end there. The '64 Custom Deluxe Reverb reissue delivers 20 watts of power and contains a 12-inch Jensen C-12Q speaker, a hand-wired AB763 circuit, four 12AX7 and two 12AT7 preamps, and 5AR4/GZ34 rectifier tubes. and a pair of matching 6V6 '64 Deluxe Reverbs also provide tremolo on both Clean and Normal channels, while the reissue '65 Deluxe Reverb gives you 22 watts of power with just tremolo on Channel 1. Inside the '65 The Deluxe Reverb is 12” Jensen C-2K speakers and tube-controlled Fender reverb and tremolo.

Fender '65 Deluxe Reverb

By the way, if you're looking for a Reverb Deluxe class amplifier that offers even more versatility, check out the Super-Sonic 22 Combo Set. Based on the original Deluxe Reverb power section, the Super-Sonic has the organic feel and mid-range power of the Deluxe, but with modern, expressive high gain. It also features additional dubbing on the Clean channel for a fatter tweed sound when you go old school.

'65 Super Reverb.

Fender Super Reverb amplifiers have long been favorites of live blues and rock guitarists because their gritty growl can easily compete with other bass amps on stage. With 45 watts of tube power and four 10" Jensen P10R speakers, the '65 Super Reverb allows for further tremolo control with Speed ​​and Intensity controls. Known for its crisp midrange. , shimmering highs and well-rounded bass provided by four 12AX7 and two 12AT7 preamp tubes, two 6L6 power tubes and one 5AR4 rectifier tube, the Fender '65 Super Reverb is well-suited to filling arenas. Big stage with authentic Fender sound Check out Alex Lifeson on the Rush 2112 album to see how the famous '65 Super Reverb amp is used.

Fender '65 Super Reverb

'65 Twin Reverb.

Many of these black reissues can easily pull double duty when recorded in the studio and performed live. But for a powerful Fender amp that's truly designed for every purpose that comes its way, the '65 Twin Reverb reissue is worthy of being the king of black amps. While both the '57 Custom Twin and the reissue '65 Super Reverb deliver 45 watts, the '65 Twin Reverb delivers a staggering 85 watts with nearly twice the power. This improved Twin Reverb reissue includes two 12" Jensen C12K speakers, four 12AX7 and two 12AT7 preamp tubes and four 6L6 power tubes supporting both Normal and Vibrato channels to take your playing to the next level. Also great for live settings, the '65 Twin Reverb includes tilt-back feet for convenient volume and sound direction adjustment In modern times, Twin Reverb has been used for decades by famous people such as Peter Green from Fleetwood Mac, Steve Jones of the Sex Pistols and Jack White.

Fender '65 Twin Reverb

3. Mod Squad: Silver Era Squad.

In the mid-'60s, the Fender Company was sold to CBS, which soon ushered in the silver age of Fender amp design. There were some changes to these “new” amps internally, but at the time of initial production they were mainly affected by not being the hugely popular black amps. Fender's '68 Custom line of reissues combines aspects of the traditional Fender sound with some modern improvements based on popular mods made on the original silver amps.

'68 Custom Vibro Champ Reverb.

The original tweed-era Champ amplifiers weren't really updated much until the mid-'60s. The '68 Custom Vibro Champ Reverb reissue captures those late design innovations with a classic silver look and Amazing tube-controlled tremolo and Reverb effects. These allow players to enhance the already sparkling Fender sound provided by two 12AX7 preamp tubes and one 6V6 power tube. If you're looking for the exciting rock instrumental of Duane Eddy or the bluesy playing style of Jimmie Vaughan, this small 5-watt reissue won't disappoint. A single 10" Celestion Ten 30 provides the bass, making this powerful Fender amplifier ideal for rehearsals and recording. Unlike the '57 Custom Champ reissue, you get the full controls here with Treble and Bass as well as Volume, plus controls for Reverb, Speed ​​and Intensity The '68 Vibro Champ Reverb is a step up in functionality over the '57 Custom Champ model, but at a lower price. a little bit.

Fender '68 Custom Vibro Champ Reverb

'68 Custom Princeton Reverb.

The reissue '68 Custom Princeton Reverb is a small 12-watt with a silver amp aesthetic. Unlike the Princeton '64 and '65 reissues, the single-channel '68 Custom includes a 10" Celestion Ten 30 with a Bassman tone stack for more midrange, deeper bass, and earlier gain. Gorgeous tremolo perhaps even more versatile on the original models due to internal tweaks and improvements, but it retains full Fender flair with its socket housing three 12AX7 and one 12AT7, two tube preamps. 6V6 power and 5AR4 rectifier tube. Amplifier for practice and recording sessions, as well as for gigs with a small band.

Fender '68 Custom Princeton Reverb

Like all amplifiers in the Custom '68 line, the Princeton Reverb features negative feedback reduction for enhanced touch sensitivity. This feature may sound a little intimidating to a student-level guitarist, but hearing every nuance of your playing is a great way to learn faster.

'68 Custom Deluxe Reverb.

The internals of the '68 Custom Deluxe Reverb reissue are largely the same as the '65, with one 12" Celestion G12V-70 speaker, four 12AX7 and two 12AT7 preamps, two 6V6 power tubes, 5AR4 rectifier tubes and 22 watts of power. The biggest change (aside from the stylish silver color) is the option to use Reverb and Tremolo on both the Custom and Classic channels, instead of just one Classic channel based on the '65 Deluxe reissue The Reverb gives you that unmistakable black tone, but the Custome channel includes a bassman that delivers more of the lower mids and earlier breakaway found on the '65 reissues as well removal, making it easier for you to control your own signal chain and get the most out of the pedal. Small, light and moderately powered, the '68 Deluxe Reverb is a practical choice for music enthusiasts classic rock who likes to use effects.

Fender '68 Custom Deluxe Reverb

'68 Custom Pro Reverb.

With a lightweight cabinet, a respectable 40 watts of power, and a 12-inch Celestion Neo Creamback speaker, the '68 Custom Pro Reverb reissue is considered by many to be the most pedal-friendly amp yet. This is a quality amplifier for professional guitarists and is a good size for any gig. Reduced negative feedback allows for greater touch sensitivity, which is great for perfecting solos. This single-channel '68 Custom Pro amp includes tube-controlled Reverb and grid-biased Tremolo effects, a Middle control, and a light switch for the ability to “sculpt” the sound a bit more than stock. reissue of the '68 Deluxe Reverb. This actual Pro Reverb amp contains three 12AX7 and two 12AT7 preamp tubes and two 6L6 power tubes.

Fender '68 Custom Pro Reverb

'68 Custom Twin Reverb.

While the '65 Twin Reverb reissue focuses solely on true vintage sounds, the '68 Custom Twin Reverb reissue offers a clean custom variation with the same whopping 85 watts of power . The silver finish and period “drip edge” detailing capture the look of the silver amp era, but internal modifications provide more tonal flexibility. You still get the full silver line tone with the Classic channel, but if you want something a little more substantial, the Custom channel includes a Bassman decoupling for deep lows and early breaks. Both channels include tube-controlled Reverb and Tremolo effects, bright switches, and clean power from four 12AX7 and 12AT7 preamp tubes, four 6L6 power tubes, and solid-sate rectifiers feeding the two speakers. 12” Celestion G12V-70. Very big, very heavy and very big.

4. Fender brings "British sound": Bassbreaker lineup.

After the tweed era, Leo Fender continued his mission to develop the clearest guitar tone possible, leaving previous circuit designs behind. The Bassbreaker line of amplifiers portrays a world where Fender followed a different path in circuit development, relying more on dirty distortion and EL34 or EL84-based power sections used by British amplifier companies. like Marshall or VOX preferred. If you've ever wanted a classic Fender amp with a bit of Brit-inspired dirt, the Fender Bassbreaker is the solution you've been looking for. There are four amps in this line, each with its own separate circuit.

Bassbreaker 007.

Bassbreaker 007 – single channel, 7 watt amplifier definitely likes things more vibrating, especially when it comes to distortion. It still has a rich clean tone, but you also get full overdrive and British-style resonance through an EL-84 tube, two 12AX7 tubes and a 10" Celestion Ten 30 speaker. The Bassbreaker 007 also includes a Treble Boost-style classic switchable - boosts treble as well as speaker output for plugging into larger speaker configurations This low-power amplifier is safe enough for home use — for the neighbors — but it can also easily handle rehearsals and recording.

Fender Bassbreaker 007

Bassbreaker 15.

For a Fender Bassbreaker amplifier geared toward studio recording, check out the Bassbreaker 15 combo. With features like XLR line output for quiet home recording and Power Amp Mute to mute the amplifier between takes, this popular tube amplifier adds a lot of convenience to recording sessions. . At 15 watts, this versatile single-channel Fender Bassbreaker offers the ability to split into three different gain structures for a wide variety of raw, crunchy tones. Three tube 12AX7 preamps, two EL84 power tubes, solid-sate rectifiers and a single Celestion 12" speaker power every style, from bluesy clean to LA metal. This is also a Bassbreaker amplifier The only one with built-in reverb.

Fender Bassbreaker 15

Bassbreaker 30R.

The Fender Bassbreaker 30R is an evolution of the Bassbreaker 15 with twice the power and player-focused improvements based on customer feedback. You still get the Bassbreaker 15's signature enhanced high-gain distortion, but with twice the output power and additional modifications. While the 15 boasts a three-way switch, the Bassbreaker 30R includes a gain boost footswitch that can be applied to the Clean or Dirty channels. Along with the XLR line output seen on the 15, the Fender 30R also adds a loop effect, making it a very practical choice for anyone who likes to use their pedals at high gain. A single Celestion V-Type 12" speaker is powered by four EL84 power tubes and three 12AX7 preamp tubes.

Fender Bassbreaker 30R

Bassbreaker 45.

The Fender Bassbreaker 45 parallels the Bassman '59 from an alternate reality. You get the same 45 watts of power delivered by the Fender Bassman, but with the British-flavored hiss, crackle and dirt of three 12AX7 preamps, two EL34 power tubes and two 12" Celestion V speakers. If If you feel 45 watts is too much, a convenient Output knob lets you adjust the amplifier from 45 watts down to 1. Additionally, you may have heard about players "channel-hopping" their Fender Bassman amplifiers. The Bassbreaker 45 does it for you with both channels, in addition to the standard Bright and Normal channels. Powerful, versatile and pedal-friendly, the Bassbreaker 45 all-tube amplifier lets you experience the sound. main distortion bar.

Fender Bassbreaker 45

5. Hot Rod lineup.

First released in 1996, the Fender Hot Rod amplifier line is now in its 4th generation. Designed for the performing guitarist of today, Hot Rod amplifiers deliver legendary sound from Fender along with upgrades in tone, road-worthy sustain, and a little overdrive when needed. Designed more for convenience than for timeless precision, the Fender Hot Rod line is played by more contemporary artists than any other amp line.

Pro Junior IV.

If you're looking for a compact, modern amplifier, but really love that classic tweed look, check out the Pro Junior IV . Fender's simplest and most streamlined 15-watt tube amplifier contains only controls for Volume and Tone. Don't let that fool you. The Fender Pro Junior is a suitable amplifier with a wonderfully warm tonal range provided by two 12AX7 preamp tubes and two EL84 power tubes for both rich, traditional and dirty sounds. A 10” Jensen P10R speaker produces plenty of volume for the home or studio and is also adequate for small gigs. Along with classic Fender sounds, the Pro Junior IV delivers both the classic tweed aesthetic and the modern circuitry of the Hot Rod series.

Fender Pro Junior IV

Blues Junior IV.

Blues Junior IV offers improvements on what are already considered tried-and-true classics that produce quality results. The Mark IV of this popular little tube combo includes a revised preamp circuit that allows you to push the amp a little further without losing any clarity. Reverb has also been revised for a more melodic sound and improved smoothness. Inside, you'll find a Celestion A-Type 12" speaker that can handle a variety of playing styles while still delivering a rock 'n' roll sound thanks to three 12AX7 preamp tubes and two EL84 power tubes. With At 15 watts, this single-channel amplifier is loud enough for gigging, yet delivers great sound at low volumes for recording or solo practice sessions.

Fender Blues Junior IV

Hot Rod Deluxe IV.

The Hot Rod Deluxe IV is the classic Fender Deluxe model but with more versatility and more power. Still equipped with a 12" speaker like previous Deluxe amplifiers (although here it's a Celestion A-Type), this Hot Rod version is equipped with 40 watts of power for pristine Clean and warm Overdrive. Same With three tube 12AX7 preamps, two 6L6 tube sources, and solid-sate rectifiers, it also contains the same hot-rodded enhancements as other amplifiers in the line—revised preamp circuitry, upgraded reverb level and updated aesthetics. This is a great solution for those interested in the size and performance of a Fender Deluxe, but with the sound that fills larger venues default backup amplifier, many locations have this stable and reliable amplifier available.

Fender Hot Rod Deluxe IV

Hot Rod Deville 212 IV.

The largest amplifier in the Hot Rod lineup is the Deville 212 IV . Although it has the same tube complement as the Hot Rod Deluxe, the Deville 212 increases power by increasing tube voltage to produce 60 watts of power through a pair of 12-inch Celestion A-Type speakers. The increased power means increased headroom for other, higher-quality sounds compared to the Deluxe with a later cutoff. A great value for the performing guitarist, the Hot Rod Deville provides the headroom, volume and tone needed to fill large spaces or even outdoor venues.

Fender Hot Rod Deville IV

Contemporary digital modeling and solid-sate amplifiers:

Mustang LT series.

The Fender Mustang LT series is made up of two amplifiers that are ideal for beginners or guitar students planning to move up to practical performance with the same amplifier. Moderately priced, both the 25-watt Mustang LT25 and the 50-watt Mustang LT50 give you incredibly simple yet expansive controls, 24 preset guitar tones, and a great collection of 20 amp models, from classic to classic. classic to modern high gain distortion. The Mustang series also contains 12 built-in effects, including chorus, flanger and tremolo. Even more can be accessed with a computer connection. Both amplifiers in the Mustang LT Series feature 12" Fender Special Design speakers inside a lightweight wooden case.

Fender Mustang LT25

Mustang GTX series.

Looking for a bigger and bolder amp? Mustang GTX amplifiers provide the versatility and convenient portability of Mustang LT series amplifiers but with more features, styles and sounds to choose from. Along with a full collection of amp models and effects, the Mustang GTX also offers 200 onboard presets, so you'll never have to waste time searching for the perfect tone again. . Each of these performance-ready cabins contains a Celestion 12" speaker and Bluetooth connectivity to play along with streaming tracks or access Fender TONE 3.0 remotely for in-depth editing, preset backup, etc. Available in the 50-watt Mustang GTX50 and the expressive ultra-Mustang GTX100 with 100 watts of sound-shaping power (and an included footswitch), these Fender amplifiers are the pinnacle of versatility.

Super small Mustang.

If you're looking to jam on the go or want to explore the Mustang Series' extensive audio offerings for yourself, check out the Fender Mustang Micro. A compact and powerful guitar headphone amplifier and recording interface, you can put the Mustang Micro on at any time and take it anywhere—just grab your headphones and plug it into your guitar. It's great for late nights, school breaks, camping trips, or anywhere you're inspired to play. The small but powerful Mustang Micro is equipped with 25 amps and effects models, plus Bluetooth connectivity for playing along with streaming audio. The Mustang amplifier packs a lot of fun into a pocket-sized device.

For Frugal Fender: Champion Series fans.

Do you only need one amp? With the wildly popular Fender Champion Series, you get Fender sound and its versatility at an accessible price. While the Mustang Series has a myriad of effects and effect combinations, the Champion offers sonic versatility but with slightly simpler controls. Available from 20 to 100 watts, each unit in the Fender Champion Series contains a wide range of effects and amplified tones for everything from hard rock and classic metal to gentle blues and hot jazz.

Champion 20.

The Fender Champion 20 solid-sate is an exceptional choice for anyone just starting out. Both affordable and practical, the Champion 20 features an 8" Fender Special Design speaker, one channel and 20 watts of power to cover everything from practice and recording to small gigs. With the full complement of effects and amplified tones found in all Champion lines, the Champion 20 has everything today's guitarist needs.

Fender Champion 20

Champion 40.

Champion 40 doubles the versatility with 40 watts and two channels. A 12" Fender Special Design speaker provides a little extra power, allowing the Fender Champion 40 to hold its own on any stage. If you're looking to explore a wide range of sounds, the Champion is a treasure Lightweight and portable, the Champion 40 solid-sate is ideal for performing guitarists who prefer built-in digital effects.

Champion 100.

For the ultimate combination of power, versatility and value, look no further than the Fender Champion 100. Packed in 100 watts of solid-state power with dual 12" Fender Special Design speakers, this “monster sound machine” makes its presence known, no matter the venue or band size. With At this volume level, the Champion 100 solid-state amplifier is more suitable for the stage than for the home.

Fender Champion 100

Champion 50XL and 100XL.

The Fender Champion 50XL adds a little extra appeal and a slightly different visual style for those who prefer black. More aggressive guitar players may prefer the look and feel of this easy-to-use 50-watter, but it's as simple as other amplifiers in the Champion line. Like the Champion 40, the two-channel 50XL houses a Celestion “Midnight 60” 12" loudspeaker but also adds four stomboxes to the effects set to accompany 12 inspiring amplified tones, giving the set The Champion 50XL solid-state amplifier has a little more power than the other devices in the Champion line. The Champion 100XL adds 50 watts, four additional amp tones, and a second Celestion "Midnight 60" speaker.

Fender Champion 50XL

Frontman 10G.

While the Champion Series is a great starting place for any developing electric guitarist, the Fender Frontman 10G also deserves a mention. Fender's most affordable full-size amplifier, this handy little practice unit delivers a modest 10 watts of power with a 6" Fender Special Design speaker. You get a switch that controls the booth and overdrive in both Fender cleans and growly fuzz, an iconic Fender input and style.

Tube Sound Quality Modeling: Tone Master Series.

The Fender Tone Master series of amplifiers are designed to accurately reproduce classic Fender tube amps combined with the versatility of modern technology. Each Tone Master amplifier is created to faithfully emulate a classic Fender model with the exact same output, circuitry and tone as those iconic originals. Not only do they give you a tonally authentic vintage experience, they are also more affordable and require less maintenance than actual vintage tube amplifiers. Not to mention, they weigh only half as much as standard reissues.

Tone Master Deluxe Reverb.

This solid-sate version of the '65 Fender Deluxe Reverb delivers authentic tube-like sound modeled on the same circuitry and 22 watts of power of the classic black amplifier. As a digital version, the Tone Master Deluxe Reverb comes with some modern conveniences like XLR line output, mute switch, and USB port. However, the tube sound is warm and the front panel is a pure reproduction of the '65 Deluxe Reverb.

Fender Tone Master Deluxe Reverb

Tone Master Super Reverb.

Tone Master Super Reverb recreates the 45 watts of power and classic tube tones of the '65 Super Reverb. The front panel mimics the original, but the rear panel contains some modern features offered by today's digital amplifiers. Based on the original '60s circuit and containing four 10-inch Jensen speakers, your ears — and your audience — won't be able to tell the difference. Additionally, this solid-sate amplifier is half the weight of the original and requires much less maintenance.

Tone Master Twin Reverb.

The Fender Tone Master Twin Reverb solid-sate amplifier brings the tone and performance of the original '65 Twin Reverb tube amplifier down to a more affordable price point. Once again, the front panel controls and tone outputs are meticulously crafted to accurately replicate the '65 blackboard models, but this digital version also gives you the same features. updates that the original and re-releases did not have. At half the weight of the original Fender Twin all-tube with the same dynamic range and tone, this affordable, low-maintenance Tone Master amp is an easy choice for the modern guitarist. Looking for authentic vintage tones.

Fender Tone Master Twin Reverb

Maximizing Acoustic Tone: Acoustic Guitar Amps.

Players who specialize in EQ-mounted acoustic guitars may be more interested in Fender's extensive line of acoustic amps. Specially crafted to deliver warm, balanced and natural acoustic sound, these amplifiers unlock the full range of your acoustic guitar's sound. You can also easily add vocals to the mix with the microphone-enabled channels found on all Fender amplifiers. Besides adding controls and features for acoustic guitar players, the amp makes it easy to tweak recognizable acoustic sounds, from classic acoustic folk to country styles. and more traditional Americana.

Acoustasonic Amps.

Acoustasonic amplifiers are built to get the most out of your acoustic guitar with additional features. With Acoustasonic's EQ controls, you can easily tailor the tone to your specific instrument and take your performance space into account. The Fender Acoustasonic amplifier is available as a 15-watt unit with onboard chorus or a 40-watt version with built-in reverb. Depending on your needs, these amps can handle everything from rehearsals and private performances to larger events and gatherings. Both Acoustasonic amplifiers have a 6" speaker and XLR mic input.

Acoustic 100/200.

Simple, sleek and stylish, the premium Fender Acoustic 100/200 is a versatile, high-powered audio amplifier ideal for the solo guitarist. 100/200 watts of power and an 8" speaker ensure that your acoustic sound is fully represented across stages large and small, with every nuance of your playing clearly expressed. A built-in carry handle The smart case is also notable, along with a beautifully varnished plywood brown case that nicely complements the aesthetic. The Acoustic 100/200 has two channels, each with access to the same menu featuring elegant effects on the keyboard for nearly endless combination options and Bluetooth connectivity Both inputs can be used with either an instrument or a microphone, making this amplifier suitable with the two singers as well as with the keyboard duo.

Fender Acoustic 100

Acoustic Junior.

If you're looking for a modern audio amplifier with a distinct visual aesthetic, check out the Acoustic Junior. Similar to the Acoustic 100 in performance and output with 100 watts, two channels and an 8-inch speaker, the Fender Acoustic Junior boasts an expanded feature set and a slightly more traditional textured vinyl finish. Along with Bluetooth connectivity for streaming audio or jamming with backup tracks, the Acoustic Junior also includes a Looper for easy control of the rich effects options. Plus, weighing less than 7kg, the amplifier This versatile audio amplifier is easy to take anywhere.

Acoustic Junior GO.

The great thing about the acoustic guitar is that it can be played in almost any location. Now there's an amplifier that's just as versatile. The Acoustic Junior GO has the build, look, and studio-quality effects of the Acoustic Junior, but it also includes a rechargeable lithium-ion battery that provides 5 hours of playtime at maximum volume or 12 hours at moderate volume level. For the traveling guitarist or performing artist, Acoustic GO makes it easy to set up a pop-up show or outdoor jam session.

Fender Acoustic Junior GO

Acoustic SFX II.

The Fender Acoustic SFX II offers the same stylish yet distinct look as the Acoustic Junior but with enhanced effects and more punch to fill larger spaces. Along with the 8" low-frequency speaker and main tweeter, the Fender Acoustic SFX II also includes a 6.5" side-firing speaker for rich, three-dimensional sound. Despite its high volume and power, this stylish amplifier weighs just 10kg for easy transport between shows. Acoustic SFX II also has the same effects layout on both channels. However, the SFX II uses the SFX circuit combined with the side speakers to add texture and character to your sound.

“Pocket” Mini Amps:

Sometimes the only person you play is yourself. When you just want to relax and jam but still crave clean Fender sound or a little distortion, Fender Mini Amps are a great choice. Each mini amp is inspired by a specific vintage Fender amplifier model, but in an ultra-compact, low-power version that easily fits in your gig bag for convenient transport . They're the perfect size for a dorm room or office, and they also make great, affordable gifts. It's worth noting that although distortion is built in, it's Clean where these little amps really shine.

Mini '57 Twin.

This handy device is a portable headphone amplifier modeled after the tweed-era full-sized classic Fender '57 Twin. With one watt of power, this mini Fender amplifier contains two 2" speakers and a '50s-style tweed finish for added vintage appeal. The Mini '57 Twin includes built-in distortion and features Volume, Tone and Gain controls to fine-tune your sound from Clean to Mean. The best part is that this little speaker can be powered by a single 9V battery (sold separately). Great simply as a display piece, but it also doubles as a compact, functional amplifier for anytime you want to play.

Fender '57 Mini Twin

Mini '65 Twin.

If the “black amp” era is more your style, the Fender Mini '65 Twin is a portable replica of that classic full-size amp. Like the Mini '57, the Mini '65 Twin offers one watt of power with Volume, Tone and Gain controls. However, the '65 comes with two 3" speakers for more emphasis, a tilt-back kickstand like the full-size version, and a 9V battery (included) for convenient operation on the go.

Fender Mini '65 Twin

MD20 Mini Deluxe.

The Fender MD20 Mini Deluxe reproduces the rich sound, clarity, and classic styling of a full-size Deluxe amplifier. Similar in design to the Mini '57 Twin, the single-channel MD20 Deluxe houses two 2" speakers with 1 watt of power, just enough for practice, rehearsal, or even a small gathering.

Mini Tone-Master.

One-channel, one-watt Mini Tone-Master amplifier based on the original Tone-Master. Great as a personal amplifier or as a gift, this small tone-on-tone amp has a classic look with metal corners, brown vintage grille cloth, and white knobs. Inside are two 2" speakers and a 1/4" headphone jack for silent playing. A great choice for busking, the Mini Tone-Master provides portable power with the included 9V battery.

Fender Mini Tone-Master

Super small Mustang.

This is just a reminder about the Mustang Micro amplifier. If you're looking for a pocket amplifier designed for full, rich tone and personal practice rather than vintage aesthetics, the Fender Mustang Micro is a powerful personal amplifier for for guitarists on the go.

Conclude:

We hope this guide has helped you find the perfect amplifier for you and your guitar, whether it's an entry-level amp or a reliable acoustic amp. No matter your needs, there's a Fender amp built to satisfy.